• Gender is considered “performative.”

    • The understanding that gender is something consciously performed or done is incorrect.
    • Gender is not something that exists as a characteristic but rather something that manifests through actions.
      • It is not about having a core essence of gender, but rather gender is created through unconscious or conscious habitual behaviors.
      • Additionally, how others perceive and recognize gender based on these performances is also a factor.
        • This aligns with the concept of social constructivism.
    • Q. What about individuals who identify as a certain gender but do not express it through their actions?
      • This is a debatable topic.
  • Instead of trying to understand everything, let’s extract the parts that can be used for an essay from the class discussions.

  • There is a mention of hooks, so it might be useful.

    • Points of intersection with hooks:
      • The difference in perspectives, which can be directly applied to one’s own object of study.
      • The existence of “real love.”
      • References to pages 86 and 92.
      • The connection between Livingston and lesbianism.
        • The identificatory bond with being gay on page 93.
        • The act of directing the camera as an expression of love.
          • The camera makes realness feel real.
      • The presence of Livingston’s lesbian desire.
        • Mentioned on page 93.
        • The idea that Livingston’s femininity does not appear in the film.
  • I also want to explore the layer of “what it means to operate a camera” in my UW Essay #2 (blu3mo).

  • I don’t fully understand the meaning of “de-naturalization of the norm” mentioned on page 88, so I would like to discuss it during office hours (blu3mo)(blu3mo)(blu3mo).

  • Topics to consider: class, race, gender

  • Concepts: hegemony, oppression

    • Resistance
  • Subversion

  • Ideal

  • Discussion on the realness of fantasy

    • The performances by queens
  • Denaturalizing the belief that gender comes from sex

  • How to deal with hegemonic norms

  • Hooks